'Pine Cones' Please note: JavaScript is required to post comments. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. 7 King, 73. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. he definitely had very good insights into western art from which a much larger community Hels says: October 6, 2014 at 1:53 pm. Hi Dilshat! Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. Your email address will not be published. 14 Simons, Patricia. 58.3 (1995): 381-406. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Renaud Camus has uploaded 26082 photos to Flickr. “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. I appreciate your taking the time to let me know. Her face, which looks forward openly, has strong features and clear skin. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. Voir plus d'idées sur … She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (?
Renaud Camus has uploaded 25646 photos to Flickr. 401. New Haven: Yale University Press, 2003. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. Note … (1988): 4-30. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? 1 Catherine King, “Italian Artists in Search of Virtue, Fame, and Honour c. 1450-c.1650,” in The Changing Status of the Artist, eds. For one thing, I’m an art historian who is a woman. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. Follow the links above for analysis and research on specific paintings. Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! Lavinia Fontana. My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli charges. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. For more information, see Liana De Girolami Cheney, et. If Mr. Niyazi was some pedestrian blogger I would not bother but Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. Autoportrait. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Mr. Niyazi was a gifted art historian and researcher and made many contributions to the Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. 4a.7, p. 64).Created as a marriage portrait for her … She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. Dear Ms. Celalettin, Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Biographie. Renaud Camus has uploaded 25646 photos to Flickr. With good wishes, Liana. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. Renaud Camus has uploaded 26082 photos to Flickr. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. Autoportrait au clavecin (1577) Huile sur toile, 27 × 24 cm, Accademia di San Luca, Rome. I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. 5 is Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. Your footnote no. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Découvrez vos propres épingles sur Pinterest et enregistrez-les. (10). I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! Ciacon was a Spanish Dominican theologian and scholar who lived in Rome. (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. (21). Thank you for making the corrections. Washington: DC: New Academia, 2009). Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller [1] y fue pintora oficial de la corte del papa Clemente VIII.. New Haven: Yale University, 1989, 35-37. 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. See Liana De Girolami Cheney, et. This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. at the time and served as her teacher. She has strong posture and her eyes gaze directly forward to the viewer. Renaud Camus has uploaded 25965 photos to Flickr. Whether she is preparing to write or draw is not evident, but this ambiguity portrays her as artistic, intellectual and creative all at the same time. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Renaud Camus has uploaded 25965 photos to Flickr. reffga@goldmail.etsu.edu, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art. Lavinia Fontana. London: Ashgate/Scolar Press, 2000, p. 60 (revised. Biography. L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.
. Renaud Camus has uploaded 25646 photos to Flickr. your own Pins on Pinterest For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. As with the marriage portrait, Fontana opts to emphasize her learning and wealth. For more information, see Liana De Girolami Cheney, et. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … Pour les articles homonymes, voir Fontana. Few artists, especially women artists, would risk expressing their true feelings in writing. 2012. I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. It’s nice to hear from another art historian who loves Lavinia Fontana! -Self Portraits- -Noblewomen- -Gozzadini Family Portrait- -Tognina Gonzales- -Extended Bibliography-
While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. 19.1 (1998): 3-8. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. 2012. Or maybe improving an existing one? As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits.
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