lavinia fontana autoportrait

'Pine Cones' Please note: JavaScript is required to post comments. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. 7 King, 73. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. he definitely had very good insights into western art from which a much larger community Hels says: October 6, 2014 at 1:53 pm. Hi Dilshat! Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. Your email address will not be published. 14 Simons, Patricia. 58.3 (1995): 381-406. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Renaud Camus has uploaded 26082 photos to Flickr. “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. I appreciate your taking the time to let me know. Her face, which looks forward openly, has strong features and clear skin. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. Voir plus d'idées sur … She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Renaud Camus has uploaded 25646 photos to Flickr. 401. New Haven: Yale University Press, 2003. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. Note … (1988): 4-30. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? 1 Catherine King, “Italian Artists in Search of Virtue, Fame, and Honour c. 1450-c.1650,” in The Changing Status of the Artist, eds. For one thing, I’m an art historian who is a woman. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. Follow the links above for analysis and research on specific paintings. Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! Lavinia Fontana. My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli charges. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. For more information, see Liana De Girolami Cheney, et. If Mr. Niyazi was some pedestrian blogger I would not bother but Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. Autoportrait. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Mr. Niyazi was a gifted art historian and researcher and made many contributions to the Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. 4a.7, p. 64).Created as a marriage portrait for her … She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. Dear Ms. Celalettin, Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Biographie. Renaud Camus has uploaded 25646 photos to Flickr. With good wishes, Liana. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. Renaud Camus has uploaded 26082 photos to Flickr. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. Autoportrait au clavecin (1577) Huile sur toile, 27 × 24 cm, Accademia di San Luca, Rome. I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. 5 is Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. Your footnote no. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Découvrez vos propres épingles sur Pinterest et enregistrez-les. (10). I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! Ciacon was a Spanish Dominican theologian and scholar who lived in Rome. (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. (21). Thank you for making the corrections. Washington: DC: New Academia, 2009). Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller [1] y fue pintora oficial de la corte del papa Clemente VIII.. New Haven: Yale University, 1989, 35-37. 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. See Liana De Girolami Cheney, et. This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. at the time and served as her teacher. She has strong posture and her eyes gaze directly forward to the viewer. Renaud Camus has uploaded 25965 photos to Flickr. Whether she is preparing to write or draw is not evident, but this ambiguity portrays her as artistic, intellectual and creative all at the same time. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Renaud Camus has uploaded 25965 photos to Flickr. reffga@goldmail.etsu.edu, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art. Lavinia Fontana. London: Ashgate/Scolar Press, 2000, p. 60 (revised. Biography. L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco. . Thank you for your citation and information. which could be re-hosted? Excellent post, which I didn’t see the first time. To overcome this, artists often used self-portraits to emphasis socioeconomic and intellectual status. 5 Jul. Lavinia Fontana pose le problème des femmes Discover (and save!) Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi mais aussi Virginia Vezzi, Orsola Maddalena Caccia, Giovanna Garzoni… Nombreuses sont donc les femmes peintres à s’être frayé un chemin au cœur de l’effervescence artistique et culturelle de la Renaissance ! She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. Her family relied on her career as a painter, and her husband served as her agent and rai… 5 Bohn, 254. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). Thank you for your comment. Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. We have learned that his web site has now been taken down and the In the portrait she sent Ciacon, Fontana is seated at a desk with books, statues and paper in front of her. Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca Print. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. Fontana presents herself as a confident and fairly attractive woman. all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... Do you, by chance, have any ideas? Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 40. Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . The following post first appeared on Three Pipe Problem in March 2011. Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). Antonietta Gonzalez (as well as her father, two sisters and other family members) had hypertrichosis (also … That might have been acceptable to van Gogh, but almost every other artist wanted acceptance, admiration and a steady income stream. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? 25. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Thank you for this interesting post about Fontana’s self-portraits. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . 5 Bohn, 254. would potentially benefit. 4 Jul. . I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. erudition on display again for those who knew him and for those who have yet to come into Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Fontana (Jean), né à Mili près de Côme en 1540, mort en 1614, fut un des architectes de l'église de Saint-Pierre de Rome, mais excella surtout dans l'hydraulique. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. 24 sept. 2020 - Explorez le tableau « Lavinia FONTANA ( 1552 - 1614 ) » de CLODROCK, auquel 150 utilisateurs de Pinterest sont abonnés. . Once again, Fontana is careful in how she has presented herself (in order to meet societal expectations). 11 McIver, Katherine. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. (15) However, Fontana’s self portrait provides an allusion to artistic labor, with the placement of the easel behind her, a reminder of her artistic background and interests. Web. community of his many admirers would very much like to see it restored in some form. She can’t be helping Lavinia, because in that case the music would stand before the eyes of the player, so what then? In the meantime, I would like to make this post I wrote available again, in Hasan’s memory. The inscription behind Fontana reads, “Lavinia Virgo Prosperi Fontane/Filla Ex Speculo Imaginem/Oris Sui Expressit Anno/MDLXXVII” or “Lavinia the Virgin Daughter of Prospero Fontana depicted herself from a mirror in the year 1577.” (5) Descrbing herself as a virgin was particularly important to Fontana here, as this “a marriage portrait where her chastity was an essential quality in her recommendation as a wife.” (6) The reference in the inscription to a mirror indicates, perhaps, her honesty in her portrayal of self, but may also allude to the art of self-portraiture. Lavinia Fontana. Son père est peintre de la contre-réforme très en vogue auprès des papes. Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Therefore, painting is to be preferred to all other occupations.” (1), Throughout the Renaissance, artists struggled with how to maintain a social and intellectual status through their profession. Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. 18.2 (2004): 239-86. Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. Perhaps Fontana truly valued virginity before marriage.. or perhaps she thought it was an absurd, sexist concept. An email notification will be sent whenever a new post appears on this site. On the other hand, the musical instrument also indicates an awareness of the relationship between musical talent and artistic capability. Leonardo on Painting. contact with his thought. See also Babette Bohn, “Female Self-Portraiture in Early Modern Bologna,” in Renaissance Studies 18, no. all, Self-Portraits of Women Painters (London: Ashgate/Scolar Press, 2000), p. 60 (revised. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre [2]. (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest. She was trained by her father Prospero Fontanawho was a teacher at the School of Bologna. I certainly feel that way. 17 King, Catherine. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. Vintage Mickey Art 1600. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Son autoportrait (Autoportrait au clavicorde, accompagnée de sa servante)et qui date de 1577 ou 78, elle a 25 ans, nous montre en plus qu'elle est belle et qu'elle est musicienne ! The placement of a maidservant behind her, along with her richly colored wardrobe also helped to convey Fontana as financially stable. I assumed that she is bringing music for Lavinia to play. 12 janv. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. Protégée des papes Jules III, puis Grégoire XIII, la famille Fontana possède l’un des ateliers les plus en vue de Bologne. He is sorely missed. Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. 1 Kemp, Martin, ed. Perhaps his content could be displayed again on his web site 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Required fields are marked *, You may use these HTML tags and attributes:

. Renaud Camus has uploaded 25646 photos to Flickr. your own Pins on Pinterest For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. As with the marriage portrait, Fontana opts to emphasize her learning and wealth. For more information, see Liana De Girolami Cheney, et. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … Pour les articles homonymes, voir Fontana. Few artists, especially women artists, would risk expressing their true feelings in writing. 2012. I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. It’s nice to hear from another art historian who loves Lavinia Fontana! -Self Portraits-   -Noblewomen-   -Gozzadini Family Portrait-   -Tognina Gonzales-   -Extended Bibliography-    While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. 19.1 (1998): 3-8. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. 2012. Or maybe improving an existing one? As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits.

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